Throughout his book, Alejo
Carpentier uses references to sex. These references not only recapture the
attention of college aged readers, but they also help to show the power
structures between the French Colonists and the African Slaves. There are
sexual moments in the beginning of the book between negresses and their white
owners. This seems commonplace. I suppose this could be seen as a sign of oppression
between the two races.
Another
sexual symbol we see in the book is Pauline Bonaparte. Pauline is a very
feminine character, and is perceived as such from the moment she is introduced:
“From the minute she stepped on board, Pauline had felt a little like a queen
on that frigate loaded with troops bound for the Antilles) “84). She is later
described as “despite her tender years, was a connoisseur of male flesh” (85).
Everyone on the island, African slaves in particular, sees Pauline in a sexual
manner. The interesting part about Pauline is that she knows it too. She likes
to meditate out in the open and sleep naked outside. Soon after, she starts
having Soliman, an African slave, massage her: “While he was bathing her,
Pauline took a perverse pleasure in grazing his flanks with her body…for she
knew that he was continually tortured by desire” (89). Pauline, through her
sexuality with the slaves, acts as the intermediary between the French
colonists and African slaves.
In
between these two sexual examples, we see another example of how sex shows the
power structure. During the revolt, we
see the African slaves really go after their masters. Sexual rage comes in to
play with this revolt. We see that this sexual rage has been around for awhile,
even though it just comes out in the revolt: “For a long time now [Ti Noel] had
dreamed of raping Mlle Floridor” (68). As the raid continues, we see that rape
is a way for the slaves to show their power: “The Negroes had violated nearly
all the well-born girls of the Plaine” (71). In this book, sexual power is
clearly an indicator of the power shifts between the slaves and colonists.
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